| Verónico Cruz | |
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DVD cover |
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| Directed by | Miguel Pereira |
| Produced by | Julio Lencina Sasha Menocki |
| Written by | Screenplay: Miguel Pereira Eduardo Leiva Muller Story: Fortunato Ramos |
| Starring | Juan José Camero Gonzalo Morales |
| Music by | Jaime Torres |
| Cinematography | Gerry Feeny |
| Editing by | Gerry Feeny |
| Studio | British Film Institute |
| Distributed by | Cinevista Channel Four Films Yacoraite Film Limitada |
| Release date(s) | August 4, 1988 (Argentina) January 5, 1990 (United States) |
| Running time | 96 minutes |
| Country | Argentina United Kingdom |
| Language | Spanish |
Verónico Cruz (Spanish: Verónico Cruz: La deuda interna) is a 1988 Argentine and British drama film. The motion picture is directed by Miguel Pereira, his first, and written by Pereira and Eduardo Leiva Muller. The movie was produced by Julio Lencina and Sasha Menocki and features Juan José Camero, Gonzalo Morales, among others. The author of the book, Fortunato Ramos, appears in the film in the opening scenes as Verónico's father.[1]
The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.
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The film is set in the mid 1970s and ends at the time of the 1982 Falklands War (Spanish: Guerra de las Malvinas/Guerra del Atlántico Sur) between Great Britain and Argentina.
Verónico Cruz (Gonzalo Morales) is a poor indigenous Argentine shepherd boy who lives in the desolate and harsh Andean highlands. He lives in Chorcán, a small hamlet in the Jujuy Province.
One day Mr. Lehrer (Juan José Camero) arrives in Chorcán to take the job as the new school teacher. Verónico comes to idolize his new teacher, who is also known as el maestro as a sign of respect and affection.
At one point in the film el maestro takes Verónico on his first road trip to San Salvador de Jujuy, the capital of the Jujuy Province, to look for Verónico's father, who the boy has never met. While there Lehrer is interrogated harshly by government authorities and discovers Castulo Cruz is considered a subversive by the military and that he probably has become a desaparecido.
As Verónico Cruz learns about the outside world from his teacher, so too does Lehrer come to understand and appreciate the indigenous people who live in northwest rural Argentina and their history.
Lehrer, near the end of the film, is given a promotion and leaves Verónico's small village to teach at a larger school far away.
However, the warm relationship between el maestro and Verónico is tragically cut short after Verónico joins the navy and Argentine troops invade the Falkland Islands.
Verónico Cruz is part of what can be considered a second group of films to be made in Argentina since the downfall of the last military dictatorship in 1982.
The first group, like The Official Story (1985) and Night of the Pencils (1986), dealt frankly with the repression, the tortures, and the disappearances during Argentina's Dirty War in the 1970s. This second group of films uses metaphor and hints at wider socio-political issues.[2][3]
Miguel Pereira, in neo-realist fashion, used extras and bit players when he filmed in the Jujuy Province and Chorcán.
Filming locations include; Chorcán, Humahuaca Department; San Salvador de Jujuy; both in the Jujuy Province, Argentina. Jujuy Province is located in the northwest part of Argentina, high in the Andes.[4]
According to the New Internationalist some of the English press was critical of the film's funding. The British Film Institute and Channel Four partly funded the film and the English provincial press called their action "treasonable." The Falklands War was, after all, between Great Britain and Argentina they argued.[5]
The film was first featured at the 38th Berlin International Film Festival in February 1988 where it won many awards, including the Silver Berlin Bear.[6] It opened in Argentina on August 4, 1988. The film was also shown at the Toronto Film Festival, Canada, on September 13, 1988.
In the United States the movie opened in New York City on January 5, 1990 and Los Angeles in March 1990.
The motion picture was Argentina's official selection for the 1988 Academy Awards, Foreign Language film category.
Chris Brazier, film critic for the British politically progressive magazine the New Internationalist, liked the film and wrote "[the drama is] strung together like beads on a rosary, a slow-paced but highly polished series of tableaux...[and is] beautifully shot with a lovely use of available light and low camera angles."[7]
The film critic for The New York Times, Janet Maslin, especially liked the look of the motion picture, and wrote, "Chorcán, where Verónico lives, is captured in all its bleak beauty...The film has been handsomely photographed in sunlight so clear that the shadows of clouds moving across hillsides stand out in sharp relief." She was, however, disappointed by the slow pace of the film.[8]
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